The Austin Peay State University Art Collection contains approximately 3500 pieces
of diverse art objects: paintings, photographs, prints, sculptures, drawings, and
historical objects. Works in the Collection are from various sources such as gifts
made by individuals and families in the community, donations from visiting artists,
purchases made recognizing student artists and notable regional artists, and purchase
awards from various exhibitions.
The University Art also has several smaller collections representing how the art pieces
joined the art collection. Most notably: the Mabel Larson Drawing Collection, which
includes the drawings purchased from the Border to Border Biennial Drawing Exhibition
and form an exquisite contemporary drawing collection in the region; The Robertson
Collection, a collection of over 300 original photographs, donated by Jim and Nan
Robertson, with pieces of historical value as well as examples of some of the finest
art photographers in the world; The Folk Art Collection is an exceptional blend of
folk and outsider art with the majority of pieces donated by Ned and Jacqueline Crouch
and the Trahern family.
Highlights from the art collection include the work of William Edmondson, E.T. Wickham,
Romare Bearden, Francisco Goya, Bill Brandt, André Kertesz, Alphonse Legros, the Kolb
Brothers, Karl Struss, William Eggleston, Edward Weston, and John Francis Strauss.
Recent acquisitions include works by LaToya Hobbs, Yancy Villa, Winnie van der Rijn,
Gamaliel Rodriguez, Carlos Barberena, Carl E. Moore, Benjy Russell, Frank Paulin,
Karen Seapker, and Taro Takizawa.
This project was propelled by the Hazel Smith Summer Research Fellowship, an endowment created by the generosity of Mark and Martha Em Raby in honor of Hazel Smith - Martha Em's aunt and Austin Peay's first art teacher. Access the database
The Department of Art + Design at Austin Peay State University (the “Department”)
is committed to the stewardship, preservation, and research of the University Permanent
Art Collection (the “Collection”).
The Department’s mission is to provide meaningful encounters with art through the
acquisition, preservation, and interpretation of the art collection to the university
community of students, faculty, staff, alumni, and the region’s general public.
Its vision is to provide meaningful educational experiences and encounters with the
visual arts. The educational experiences allow Austin Peay State University to become
a leader in art appreciation and interdisciplinary education for the local community.
The Department is committed to developing several focused collections of fine art
photography, folk art, contemporary drawing, printmaking, and works of art with a
historical and regional emphasis.
The Department strives to place original works of art into the daily lives of the
Austin Peay community. Selections from the collection can be found throughout campus.
Currently, there are approximately 1000 pieces on display throughout 12 buildings
on campus.
The Department of Art+Design/The New Gallery does not provide appraisals or authentications. Contact the Appraisers Association of America for guidelines and state searches at www.appraisersassoc.org, or find general information and web links for appraisals on the web site of the Archives of American Art (http://www.aaa.si.edu/) at the Smithsonian American Art Museum.
There are several ways to support APSU's Art Collection and the Department of Art+Design.
- Financial Support
- Research Scholarships
- Donate/Bequeath Artwork
All donations inquiries must begin with
APSU's Office of Alumni, Engagement and Philanthropy.
Your financial support of the Collection assists in providing meaningful encounters with its objects through the acquisition, preservation, and interpretation of the collection to the university community of students, faculty, staff, alumni, and the region’s general public.
Your support could be used in any of the following manners:
- conservation / framing / repair
- preservation / storage / climate control
- outreach programs
- educational enhancement
- display materials
- student research opportunities
- purchase of artworks for the Collection
The breadth of the Collection's educational component is created by student researchers.
The searchable database was created completely by Student Researchers/Gallery Assistants - all of whom are
scholarship recipients.
Our hands-on educational approach allows our student researchers to work directly
with the Collection by conducting research and learning vital museum management skills
such as museum database infrastructure, proper handling, care, installation, and conservation
of artwork.
Collection Research News:
- New student art fellowship to help document, preserve, ‘discover’ Austin Peay’s art collection
- ‘So we sent an email’: How a photo in Austin Peay’s art collection connects with the discovery of a famed French photographer
- Impromptu NYC visit, thank you note lead to photo collection gift to Austin Peay
- ‘Rodeo in STYLE’: How an iconic photographer’s images became a part of Austin Peay’s art collection
- Student Spotlight: Meet graphic design student Katie Boyer
- Austin Peay students discover work from two major artists in University’s collection
- The New Gallery at Austin Peay opens ‘Recent Acquisitions’ exhibition to kick off new season
- Donation adds to APSU folk art collection
All donations inquiries must begin with
APSU's Office of Alumni, Engagement and Philanthropy.
It is the Director’s responsibility to add works of art to the collection and their
decision for acceptance is firmly guided by the Department’s mission and strategic
plan and its declared collection goals. The Director is responsible for the collection’s
enhancement and expansion. Additionally, the Director has a standing Accessions Committee
to offer advice and serve as a sounding board for decisions. When appropriate, the
Director will consult with experts, scholars, legal counsel, and other persons as
they may see fit.
Potential acquisitions to the Collection shall be referred to the Director then go
before the Accessions Committee for review. If the item is delivered to the University,
it shall be treated as a custody item pending final action.
It is the general policy of the University that no object may be accessed unless its
ownership by the University will be free of all restrictions and conditions. It is
recognized that exceptional circumstances may arise in which strict enforcement of
this general policy would not be in the best interests of the University. Any such
exception must, however, have the advance consent of the Director with the advice
of the Accessions Committee. Every attempt should be made to hold restrictions or
conditions to a practical minimum and to obtain the consent of the donor that the
restrictions will terminate after a finite time limit. Under no circumstances will
the University agree to conditions requiring the retention or display of an object
or collection in perpetuity. If any restrictions or conditions are accepted, they
must be in writing executed by both the donor and the Director on the Deed of Gift
and must be included in the object’s records.
- Objects acquired by the University must complement the existing collection or substantially offer a wholly filed for the collections; fill presently existing gaps in the collection, and are relevant to and consistent with purposes and programs of the Department
- The Department is committed to acquiring only works for which it can provide proper storage and care.
- The University shall not accept any item if substantial doubt exists about the donor’s ownership of the item or the donor’s ability to transfer legal title.
- The Department will make efforts to obtain information concerning the object’s history of ownership. When an object is of foreign origin, research will be conducted to ensure it has not been illegally imported into the United States and that there are no legal or ethical considerations, which would make its accession
- An object must be of museum quality and proven to be authentic beyond a reasonable doubt.
- Before the Accessions Committee meeting, the Director will note any conservation, repair, display, and maintenance costs for consideration in determining whether or not the work is acceptable for acquisition. Outside conservators may be consulted for this purpose.
All donations inquiries must begin with
APSU's Office of Alumni, Engagement and Philanthropy.
- The Director and Accession Committee review objects bequeathed to the University in the same manner as donations.
- Upon notification to the University that it is a beneficiary under a will, the Director shall obtain a copy of the section of the will that outlines the bequest, and pictures of the object(s) when
- Acceptance of a bequest requires the advice of the Accessions Committee.
- Should a bequest not possess sufficient merit for inclusion in the collection, the University may request that the bequest be made with full understanding that the object(s) can be sold and the proceeds used to the benefit of the Collection as determined by the Director. In the case of a group of objects, the Department may accept some and refuse, sell, or trade
- Proposals for potential bequest are to be referred to the Director and Accessions Committee for review.
For inquiries regarding:
Current works in the APSU Art Collection,
Institutional Loans:
Michael Dickins
Director of The New Gallery
University Collections
Donations of Artwork,
Financial Donations to Support the Collection:
Kendell Sinks
Alumni, Engagement, and Philanthropy
Director of Development