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The Wall of Legacy

Each semester, the Wall of Legacy commemorates artists, alumni, and former Austin Peay State University educators whose creative work has inspired generations of students, enriched the university community, and brought recognition to the institution.

The Wall of Legacy project is made possible by Jim & Dottie Mann through the APSU Center of Excellence for the Creative Arts.


Current Exhibition

"Susan Bryant Southward" typeset show title.The Wall of Legacy at the Art + Design Building on the Austin Peay State University campus, in collaboration with The New Gallery and the Art + Design Department, is honored to feature works by Professor Emeritus Susan Bryant. Six photographs from the Southward series distill the essence of the American Southeast landscape by exploring dense canopies, open vistas, dramatic skies, still waters, live oaks, wooded trails, gulf storms, and back roads.

A photograph from the show depicting a sepia-toned tintype photograph of a large, leafless oak tree against a foggy background, featuring gnarled branches and faint outlines of distant trees and a house.

Susan Bryant
Large Oak, Clarksville, Tennessee, 2017
Archival pigment print,
made from scan of collodion tintype
13 x 18 inches

 

Bryant said, “I am interested in how nature can act as a metaphor for human emotion. I am amazed by how quickly nature can change from comforting to threatening, and that each of these conditions is imbued with beauty, power, mystery, serenity, grace, and allegory. My aim is to capture the timeless essence of a place through close observation of light and dark, space and atmosphere, stillness and silence.”

For this work, Bryant used the 19th-century wet plate collodion process, such as tintypes and ambrotypes. Her unique process involves producing plates on-site with the intent to integrate the 19th-century process with 21st-century digital technology. Bryant explained, "I am challenged and inspired by this leaping from one century's technology and aesthetic to another. I welcome the combination of control and happenstance that occurs during my process, from exposure to plate to print. One of the many reasons I am drawn to collodion is that it requires me to slow down, and it allows me to experience anticipation for the mysterious images and singular, tangible, precious objects that result."

 

Headshot of Susan BryantSusan Bryant received her BFA in painting in 1976 from Indiana University and her MFA in photography in 1978 from Indiana State University. She retired from APSU in 2019 after teaching photography for 37 years. Her personal work includes gelatin silver prints, hand-colored silver prints, digital photographs, and, most recently, the 19th-century processes of daguerreotypes, tintypes, and wet-plate collodion negatives and positives (ambrotypes). Her work has been widely exhibited across the United States in solo and juried exhibitions. Among other honors and awards, she is the recipient of a Tennessee Arts Commission Fellowship.

Photos provided by the Artist