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Department of Art

Nov 25 2014 - 1:48pm

PELPposter

Professor Barry Jones had the opportunity to teach Leadership Issues II in the President’s Emerging Leaders Program (PELP) this semester. The course focused on the way that art can address and create social change and engage an audience in participatory ways. 

The semester is culminating in a student initiated project titled “Bridge Across College St.” The artwork explores APSU and Clarksville’s relationship through interviews with members of both communities. From 10 am – 3 pm on December 2, the class will present the work on College St. near the APSU campus with speakers on either side of the road.

Nov 23 2014 - 5:56pm

Print_Poster2

Tuesday December 2 from 6 – 7:30 pm

Nov 17 2014 - 8:35am

The Austin Peay State University Department of Art, with support from the Center of Excellence for the Creative Arts, had the pleasure of hosting two visitors from the Northwest Coast Nov. 3-5, 2014. Tlingit carver Tommy Joseph of the Eagle Moiety, Kaagwaantaan Clan from Sitka, Alaska, and Native American Art Historian Ashley Verplank McClelland, an adopted member of the Tlingit Raven Moiety, T’akdeintaan Clan of Hoonah, Alaska, participated in a series of events on the APSU campus.

Joseph has been actively engaged in Northwest Coast carving for more than 20 years as an instructor, interpreter, demonstrator, restorer and commissioned artist. He has produced a wide range of artwork including totem poles, smaller house posts, intricately carved and inlaid masks, bentwood boxes and Tlingit armor. McClelland, an art history doctoral student at the University of Washington, has worked at the Burke Museum of Natural History and Culture in Seattle, Washington for more than 10 years. She is currently the Rights and Reproductions Manager and a Curatorial Assistant in the Ethnology Division. Joseph and McClelland began their professional relationship in 2007 when they discovered their shared interest in Tlingit armor and weaponry.

The collaborative public talk at APSU, “Rainforest Warriors: The Art of Tlingit Warfare,” highlighted recent research by the artist and the scholar. McClelland has extensively studied Tlingit daggers and her essay on the subject is forthcoming with the University of Nebraska Press in 2014. In order to prepare for his one-man exhibition “Rainforest Warriors” at the Alaska State Museum in Juneau for fall 2013, Joseph spent 11 weeks researching collections throughout the United States and Europe, including the hard-to-access Kunstkammer in St. Petersburg, Russia. During his travel he was able to study firsthand historical Tlingit armor that was taken during the early contact period in the late 18thand 19th century.

The process of making full sets of battle gear such as helmets, face guards, breastplates, and shin protectors, as well as weapons such as clubs, bows and arrows, and daggers, all in traditional materials with historical techniques was incredibly tedious and time consuming, and required great skill. He began this project in 2004 by making one helmet to commemorate the Tlingit for 200thanniversary of the Battle of Sitka, where countless Native American warriors fell to the Russian army. That was 30-something helmets ago, Joseph joked. He has presented his research and creative work for this project all over the country, including his 2013 TEDxSitka talk “Constructing Tlingit Armor.” His talk on the topic at Austin Peay concluded with a wood carving demonstration.

The experience of learning about the historical and thriving culture of the Tlingit on the far-away shores of Southeast Alaska, proved to be enlightening for the Austin Peay family and the general public in Middle Tennessee. After attending the collaborative talk “Totem Poles Past and Present: A Tlingit Tradition,” which also ended with a carving demonstration, President Alisa White commented, “Listening to Ashley McClelland and artist Tommy Joseph explain the cultural significance of totem poles took me back to my time living in Fairbanks, Alaska, where I was privileged to attend a totem pole raising…I am so happy that Austin Peay recognizes the value of sharing historic and culturally-specific art traditions and brings these types of experiences to our students. It was a special treat to see Mr. Joseph demonstrate his carving techniques and tools.” Austin Peay would like to say “Gunalchéesh (thank you in Tlingit) to Tommy Joseph and Ashley McClelland for the wonderful experience.

 – By Tamara Smithers, APSU assistant professor of art

Nov 16 2014 - 7:24pm

NFA Carlisle at APSU Student Poster

Doing an artist residency is an excellent way to stimulate new ideas and work, to create space for experiment and risk in your art practice, and to access new networks of art makers. This coming Tuesday, a residency curator from Elsewhere in North Carolina will be coming to Nashville to offer a student-only workshop.

The FREE workshop is Tuesday, Nov. 17, 12-1 p.m. and is part of a larger multi-university program directed at providing resources to art and creative industry students called the Nashville Fine Arts (NFA) Program, presented by Seed Space. If you attend, you’ll also have an opportunity to make work for and organize a year-end exhibition in the prolific and well regarded Wedgewood-Houston art district here in Nashville.

seedspace.org/nfa

Join Elsewhere’s Jennie Carlisle: Residencies for Artists

Tuesday, Nov 18, 12:00 – 1:00 p.m. in Trahern 413

Residencies are highly competitive. How do you find the residency experiences that are right for you as an emerging artist? How do residencies select artists to work with? And what strategies should you adopt to get into the residency of your choosing?

Through hands-on exercises you will learn strategies for shaping application content, developing outstanding portfolios and artist statements, and selecting references.